Participants
Participants
Participants
Alexandra Dvorkin, Art History Department, Tel Aviv University.
Alexandra Dvorkin is a PhD student and a research assistant at the Art History Department in Tel Aviv University. Her MA thesis, written under the supervision of Dr. Sefy Hendler and Dr. Yuval Sapir, investigated the political use of botany by Duke Cosimo I de’ Medici (1519–1574) via the case studies of Benvenuto Cellini’s (1500–1571) Narcissus (1548–1565) and Bachiacca’s (1494–1557) Scrittoio murals (c. 1545). Her PhD research examines the role of botanical illustration in 16th century herbals, focusing especially on Mattioli’s I Discorsi, as part of a period of scientific uncertainty and fear of errors.
Hila Kohner, Art History Department, Tel Aviv University.
Orly Amit, Art History Department, Tel Aviv University
Orly Amit is a teaching assistant in the Department of Art History at Tel Aviv University, where she has recently completed her MA thesis, under the supervision of Dr. Renana Bartal-Cohen. Her MA thesis explores the shaping and presentation of self-identity in two personal prayer books, copied and illustrated for John of Lancaster (1389-1435), Duke of Bedford and Regent of France (1422-1435), during the second and third decades of the 15th century. She is about to begin her doctoral studies; her PhD research will examine questions of appropriation of Illuminated manuscripts as a means of shaping and presenting self-identity.
Yael Barash, The Program for Religion Studies, Tel Aviv University
Yael Barash submitted recently her MA thesis about the importance of the senses in the epistemological thought of Hildegard von Bingen (1098-1179), under the supervision of Prof. Youssef Schwartz. The importance of the senses is unique for Hildegard's time; most of her contemporary epistemology was based on rational arguments or meditation experience. In the Ph.D. thesis, Barash plans to research the relation of text and image in manuscript of Hildegard’s texts from the 12th and 13th centuries.
Program
Sunday, December 30
Morning and Afternoon Sessions: Naftali Building, Room 527
09:00-09:30 Gathering
09:30-09:45 Opening Remarks
Tamar Cholcman, Conference Chair, Art History Department, Tel Aviv University
Alexandra Dvorkin, PhD. Student, Art History Department, Tel Aviv University
9:45-11:15 Session I: De amicitia: Sharing Art and Knowledge
Chair: Tamar Cholcman, Tel Aviv University
Portraying the Republic of Letters: The Scholarly Clientele of Pieter Schenk I, Engraver
Manuel Llano, Utrecht University
Reading Between the Lines: Donatello and the literati
Tamar Abramson, Tel Aviv University
“Il se pique d’être universel”: Sébastien Le Clerc and the Scientific Circle of Matthieu-François Geoffroy in Early Eighteenth-Century Paris
Antoine Gallay, University of Geneva / University Paris-10
11:15-11:35 Coffee Break
11:35-13:00 Session II: Artistic-Scientific Endeavors: The Encounters
Chair: Assaf Pinkus, Tel Aviv University
“A Science of Names and Words”: Art, Knowledge, and the Learned Artist in Late Renaissance Venice
Mattia Biffis, University of Oslo – The Norwegian Institute in Rome
Louis Feuillée and Charles Plumier: Two Botanists and Draughtsmen in the Republic of Letters
Marianne Volle, York University / Glendon College in Toronto
Networks of Scientific and Artistic Knowledge in Peter Apian’s Astronomicum Caesareum
Alexandra Challenger, Florida State University
13:00-14:30 Lunch
14:30-15:30 Roundtable: The Vernacularization of Knowledge – from the Ecclesiastic Latinate Walls to the Vernacular Public Space
Moderator: Yossef Schwartz, Cohn Institute for History and Philosophy of Science, Tel Aviv University
Speakers:
Nurit Golan, Cohn Institute for History and Philosophy of Science, Tel Aviv University
Einat Klafter, School of History / Art History, Tel Aviv University
Chair: Yael Barash, Tel Aviv University
15:30-16:00 Coffee Break
Evening Session and Keynote: Mexico Building, Fastlicht Auditorium
16:00-17:30 Session III: Text to Image: The Viewing of Words
Chair: Renana Bartal Cohen, Tel Aviv University
An Image from a Vision: How Hildegard Conveyed Ideas through the Senses
Yael Barash, Tel Aviv University
Delivering the Apocalypse: The Illustrated Use of Pronuntiatio in the Tenth-Century Commentary on the Apocalypse
Shachar Machlev, Tel Aviv University
'The First Cause Holding a Paint-Brush': Art and Theology in Seventeenth-Century Jewish Venice
Ahuvia Goren, Cohn Institute for History and Philosophy of Science, Tel Aviv University
17:30-18:00 Coffee Break
18:00-19:15 Keynote: Making and Knowing in the Early Modern European Republic of Letters
Pamela H. Smith, Columbia University
Chair: Tamar Cholcman, Tel Aviv University
Monday, December 31
Mexico Building, Hall 206A
09:30-10:00 Gathering
10:00-11:25 Session IV: Poetic Imagery: An Artist’s Use and Interpretation of Text
Chair: Sefy Hendler, Tel Aviv University
The Legacy of the “New Apollo and New Apelles”: Michelangelo’s Exemplarity for Medicean Artist-Poets, 1537-87
Diletta Gamberini, Ludwig-Maximilians-Universität München
Benvenuto Cellini's Narcissus: A Flowering and Colorful Ticket to the Republic of Letters
Alexandra Dvorkin, Tel Aviv University
Horace on Skates: A Classically Dutch Interpretation of the Seventeenth-Century Winter Scene
Erik Harrington, University of Virginia
11:25-11:45 Coffee Break
11:45-12:45 Workshop: Entering the Republic through the Back Door:
Adopting Ways of Life
Gadi Algazi, Tel Aviv University
Chair: Tamar Abramson, Tel Aviv University
12:45-14:30 Lunch
14:30-16:00 Session V: Collecting (Visual) Knowledge
Chair: Orly Amit, Tel Aviv University
The Tacuinum Sanitatis: Changes in Traditions of Collecting, Organizing and Representing Medical Knowledge in the Late Middle Ages
Noga Shlomi, Cohn Institute for History and Philosophy of Science, Tel Aviv University
Making Fun of the Republic of Letters: Johann Fischart and his Satirical Book Catalogues
Jodok Trösch, University of Basel
“...wie ichs begeren iederzytt zu leeren”: Basilius Amerbach and the Artists
Tobias Bitterli, The Hebrew University of Jerusalem
16:00-16:20 Coffee Break
16:20-17:15 Session VI: To Be Continued? Art and the Republic of Letters Today
Chair: Adi Luria-Hayun, Tel Aviv University
Cosmopolitan Republic of Letters. On the Worldliness of Literature and Photography
Monica Raič, University of Innsbruck
Artists’ Books – A Critical Territory of Experience
Na’ama Zussman, The Hebrew University of Jerusalem
17:15-17:45 Coffee Break
17:45-18:45 Plenary Talk: Producing Knowledge and the Poetics of the New Science
Raz Chen-Morris, The Hebrew University of Jerusalem
Chair: Hila Kohner, Tel Aviv University
19:30-21:00 Conference Reception at the Genia Schreiber University Art Gallery